“More innovative uses of super-8 sound began to appear in the late Seventies, Ericka Beckman’s idiosyncratic films—White Man Has Clean Hands (1977), We Imitate; We Break-Up (1978), The Broken Rule (1979), and Out of Hand (1980)—used primitive but ingenious special effects to combine dream imagery with archaic movie conventions (e.g. employing a whirlpool of superimpositions as a segue into a flashback)…”
