“As a young artist I was looking for a language to explain the relationship between the knowledge of one’s self and movement in the physical world. I knew that movement was a language we learn long before the language we speak. I discovered by making short experimental works that sound and image could be substituted for each other as long as the viewer understood the temporal and spatial coordinates. Somehow physical reality was a system more deeply ingrained in our consciousness than the expressive forms of language, image, or even music. So I abandoned all my philosophical readings and delved into Piaget. The first thing I read was Genetic Epistemology, a very short book that synopsized all his research to dote. That’s when I started this Super-8 Trilogy…”
