“The complex images she retrieves from her dreams are put onto film through a simple, direct approach. Chairs bowl over, houses expand, magnets suck bodies across the room: her sets and props, once on film, transcend their minor proportions and assume an extraordinary presence. She uses basic filmic devices to illustrate different qualities of existence: portions of film are animated because their actions cannot take place in a real time mode…”

[dticon ico=”icon-doc-inv” size=”size-sm”][/dticon] PDF available here