You the Better
16mm/color/sound
32 minutes
1983
DESCRIPTION
Produced, directed, shot and edited by Ericka Beckman
Starring Ashley Bickerton
Music and vocals by Beckman/Brooke Halpin
Produced with funds from The National Endowment for the Arts and the New York State Council on the Arts
“YOU THE BETTER is a film based on games of chance, and as games such as roulette, or craps go, this one is closed – meaning that the player cannot really affect the outcome. A team of uniformed players, led by the artist Ashley Bickerton, performs the mechanics of a game servicing an off-camera betting entity, the ‘House’. Although the game keeps changing and players are swapped out, one thing remains the same, the ‘House’ is hidden and controls the bets, the ‘chance’ of winning is nil. The game, in fact, is not between the players, but rather between the ‘House’, and the ‘Bettor’.” — E.B. 1983
“More compelling than Monday Night Football Beckman’s YOU THE BETTER situates the viewer as challenger of ‘the house’ or ‘establishment’. It’s a brisk (half hour) meditation on competition, jealously, and probability. As one of the protagonists, against all odds, repeatedly wins at the wheel of fortune, his adversaries grow hostile and jealous- the very moods provoked in Beckman’s NY Film Festival audience, who were busy feigning not to understand. Beckman’s was the one truly vanguard achievement in the Festival, and the only analysis and indictment of the competition that keeps the wheel of fortune spinning. Beckman made an art movie, when the audience clamored for Art.” — Carrie Rickey, Artforum Magazine, December 1983
DISTRIBUTION
16mm Print available for rent from Light Cone
PHOTOS
[rev_slider_vc alias=”ytb-mary-boone”]You the Better and Mary Boone Gallery
You the Better at the Walker Art Center, Minneapolis, Minnesota
VIDEO
PRESS
- Fletcher, Alex. “The Inoperative Community.” ART MONTHLY, February 2016
- “The International Group Exhibition Less Than One To Present Major Recent Acquisitions Alongside Signature Works from the Walker Center Collection in April 2016.” WALKER ART CENTER (press release), 2016
- Black, Hannah. “Review: Ericka Beckman. New York, at Mary Boone.” ART IN AMERICA, June 12, 2015
- “Ericka Beckman: Augmented Reality and Cinema Games.” HIGHLINEART, March 2015
- Ebony, David. “David Ebony’s Top New York Gallery Shows for March.” ARTNET, March 2015
- “Ericka Beckman, You the Better.” TIME OUT NY, 2015
- Larios, Pablo. “Review: Ericka Beckman VeneKlasen/Werner, Berlin, Germany.” FRIEZE, October, 2015
- “Ericka Beckman Works 1978 – 2013” MAGASIN, Centre National d’Art Contemporain (press release), 2014
- “Los Angeles Filmforum presents Ericka Beckman.” LOS ANGELES MOCA (press release), 2014
- Scheller, Jörg. “Ericka Beckman at Kunsthalle Bern.” FRIEZE, September/ October 2013
- Bieri, Martin. “To Understand the world through Sport and Game.” DER BUND, June 7, 2013
- Hoberman, J. “Cinema Gamer.” MOUSSE, Summer 2013
- Harbison, Isobel. “Image Games.” FRIEZE, October, 2012
- Dika, Vera. “Cinema: A Feminist Fairy-Tale.” ART IN AMERICA, April, 1987
- Sitney, P. Adam “Point of View: The Rear Garde.” ART IN AMERICA, Summer, 1985
- Banes, Sally. “Imagination and Play: The Films of Ericka Beckman.” MILLENNIUM FILM JOURNAL, Winter, 1984
- Cinéma du Musée (exhibition document), July, 1984
- Collins, Tricia, & Milazzo, Richard. “Anomaly and Effect.” NATURAL GENRE (exhibition program), August 1984
- Phillips, Michael. “Provocative Films.” 1984
- Hoberman, J. “Passion Pit.” THE VILLAGE VOICE, January, 1984
- Rickey, Carrie. “Popcorn and Canvas.” ARTFORUM, December 1983
- Hoberman, J. “A Kind of Close Encounter.” THE VILLAGE VOICE, December 1983
- White, Armond. “Little Big Films.” THE VILLAGE VOICE, October 2, 1983
- MacKintosh, Helen. “Review: Three New York Women Film-makers.” CITY LIMITS, no 109, November, 1983
- Hoberman, J. “Stakeout on 65th Street.” THE VILLAGE VOICE, September 1983
- Hoberman, J. “Review: You the Better.” The Village Voice, April 1983
- Hoberman, J. “Review: Out of Hand.” ARTFORUM MAGAZINE, January 1981
- “Origins, Influences, And Interests: Four Women Filmmakers” ANTHOLOGY FILM ARCHIVES (program documents)
- Hoberman, J. “An Opinionated Survey.” VILLAGE VOICE