“ERICKA BECKMAN, Millennium… Beckman’s supe-8 stanzas are filled with nervous activity, comic violence, and ingenious homemade special-effects. With their perceptual calisthenics and hypnotic sing-song soundtracks, the films are lively but elusive—as though a group of high school cheerleaders, directed by George Melies, had based their half-time show on Wittgenstein’s Tractatus…”
